Nigel Carren Reproduction Armour

  Historic European armour recreated and restored. 17th century armour and works in miniature a speciality

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Armour Restoration

059 Nigel Carren up to his elbows restoring another English Civil War Lobster Tail helmet.

059 Nigel Carren up to his elbows restoring another English Civil War Lobster Tail helmet. >Enlarge image

115 A restored Cavalry armour with Dutch lobster tail helmet.

115 A restored Cavalry armour with Dutch lobster tail helmet. >Enlarge image

117 Once the missing backplate and shoulder straps were recreated, another signature Littlecote 3-bar pot helmet was made to match.

117 Once the missing backplate and shoulder straps were recreated, another signature Littlecote 3-bar pot helmet was made to match. >Enlarge image

081 Manually removing crusting from the breaths of a very unusual sliding Savoyard or Todenkopf visor.

081 Manually removing crusting from the breaths of a very unusual sliding Savoyard or Todenkopf visor. >Enlarge image

060 Removing the Blue-Tack that had been holding a clients Lobster Tail helmet together for the last 20 years... Another little surprise!

060 Removing the Blue-Tack that had been holding a clients Lobster Tail helmet together for the last 20 years... Another little surprise! >Enlarge image

032 Reproduction Cuirass shoulder straps shown just after hand buffing.

032 Reproduction Cuirass shoulder straps shown just after hand buffing. >Enlarge image

061 Replacement internal helmet washers shown after ageing and ready for fixing.

061 Replacement internal helmet washers shown after ageing and ready for fixing. >Enlarge image

104 Theres always a steady stream of varied restoration work on the go... whatever the time of year.

104 Theres always a steady stream of varied restoration work on the go... whatever the time of year. >Enlarge image

 

 

 


"Restoration is often just a big word for repair, so please don’t hesitate to contact me for the small stuff too".
Nigel Carren

Like the small restoration projects shown on this page. The small jobs are usually a pleasure, as they are always a nice break from the big projects.

As time goes by I am lucky enough to handle more and more period pieces. Sometimes this is a lesson in how far as an armourer I have yet to develop as sometimes the workmanship making up a period piece is astounding, then other times when working on plain blackened munitions grade armour it is a lesson on how we shouldn’t all be so fussy and worry so much about rivet placing of following too uniformly to a lame edge when embossing a border line. But in any case, it is all about the detail in my workshop. I pride myself on sympathetic restoration work, ultimately resulting in a finished piece with an overall harmonious appearance.

“I found working with Nigel very rewarding. In explaining to readers the problems fighting men faced on an English Civil War battlefield I had to find a non-technical, highly practical but also an entertaining approach. The logistics underlying the opposing armies’ operations were intimately linked with arms manufacture, and the design of helmets and armour was governed by the real requirements of active service. The professionalism, knowledge and enthusiasm Nigel brought to clarifying the problems and demonstrating the solutions led to picture and caption sequences that are as interesting as they are informative. I am in his debt.”
Martin F. Marix Evans , Military Historian & Author  Chairman of the Naseby Battlefield Project

 Please feel free to contact me with any questions or requests at all, whether you’re considering having a missing arm harness recreated to make up a complete suit, or you just need a missing gauntlet thumb replaced, simply click on my contact page, and I will do the rest.

Click here for my contact page

Thank you for your interest, I look forward to our talking in the future.
Nigel Carren

“A fantastic restoration… I am looking but I can’t tell”.
Dave Allen,   Private collector 

“I greatly enjoyed visiting you at your workshop yesterday. I find the whole business of armour construction fascinating so it was a real pleasure to see a true craftsman at work”.
John Kliene ,  Photographer for Osprey publishing

“Thank you again for all of your efforts on our behalf. The armour looks fantastic in the exhibition… I am sure you will agree, it was all worth it!”
Diana Morley,   Imperial War Museum London

“Great work, finished to a very high standard”.
Eric Slyter,   The Arador Armour Library 

Anything at all can be recreated, it’s all quite simply down to time, and therefore ultimately your budget. All I need are a few clues re; period, style and finish and whether the piece is for wear or display, and I will happily do the rest, and trawl through my extensive library and provide images of exactly what it is I think you are aiming for, and as the famous quote by King Maximillian I to his armourer (below) clearly illustrates, I am at your disposal.

“Arm me according to my own wishes, for it is I not you who will take part in the tournament!”
King Maximillian I  to court armourer Conrad Seusenhofer 1504

My method statement is best illustrated by a quote by the greatest writer on the subject:

“For the study of ancient armour to be successfully pursued, it is of primary importance that a careful examination be made of every existing specimen within our reach… Every rivet-hole and rivet in a piece must be studied, and its use and object thought out”.
Charles Ffoulkes  1909

 


Nigel Carren Reproduction Armour

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